Exhibition

UPDATED with TIFF exit: Clifford the Big Red Dog, Paramount’s CG/live-action movie that was unset from its planned September 17 release, will also not world premiere at next month’s Toronto Film Festival. It had been set as a Gala Presentation via the pic’s Canadian rightsholder eOne, which confirmed the news today that it was removing
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Paramount Pictures has curbed the planned September 17 release of Clifford the Big Red Dog, its CGI/live-action take on the beloved kidlit character. We hear that the studio is looking for a more family-friendly release date for the pic, which also had been announced as a Gala Presentation at the Toronto Film Festival in September. The title’s
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Science fiction drama Nine Days from Sony Pictures Classics opens in four theaters in a specialty market buoyed by recent releases like Roadrunner: A Film About Anthony Bourdain and Pig. New York’s arthouse scene, outpaced by LA of late, is perking up, distributors say (Ailey numbers were super there) and moviegoers are rewarding unique films
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The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director. The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements
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Refresh for latest…: As with domestic, a pair of new studio offerings opened at the international box office this weekend. However, the biggest grosses came from local pics in China where upcoming release dates for Hollywood continue to be a frustrating question mark. Getting to the studios first, in a 23-market rollout, Universal’s M Night
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Mark Wahlberg strides into theaters this weekend with Joe Bell as the Reinaldo Marcus Green (Monsters and Men, upcoming King Richard) film debuts on 1,093 screens supported by robust advertising and a star-driven social media campaign. Roadside Attractions is distributing, having snapped up the film from Solstice Studios which acquired it off of a 2020
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FRIDAY AM Update: Refresh for updates Universal’s Old grossed $1.5M on Thursday night from 2,750 theaters that began showtimes at 7PM. This topped the Thursday night results for Paramount’s Snake Eyes: G.I. Joe Origins which did $1.4M, also starting at 7PM at 2,662 theaters. Both titles are respecting a theatrical window. As far as who wins at the
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Universal has dated two DreamWorks movies, Distant and Easter Sunday, as well as Amblin Entertainment’s The Last Voyage of the Demeter.  Distant, directed by Josh Gordon and Will Speck, will open on March 11, 2022. The sci-fi comedy stars Anthony Ramos as a low-level mining engineer whose spaceship gets struck by an asteroid sending him to an unknown alien planet.
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UPDATE: Disney/Marvel’s Black Widow narrowly led the international box office for Hollywood films this weekend, grossing an additional $29.9M from 48 material markets. That’s a 55% drop from opening, which most agree is decent even if there’s no getting around the fact that these are not Marvel-ous numbers. The overseas total is now even with
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Sony launched its horror sequel Escape Room: Tournament of Champions early yesterday at 3PM making $1.2M in previews at 2,382 theaters. What’s the comp here? Given the funkiness of the pandemic we can only look at recent genre stats, and the nearest title is Universal/Blumhouse’s The Forever Purge which did $1.33M in Thursday previews at 2,550 theaters from showtimes
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Two releases, very well reviewed and pretty widely available by recent specialty standards, look set to heat up the arthouse box office this weekend — Pig with Nicolas Cage in one of his best performances in years and Roadrunner: A Film About Anthony Bourdain open on 600 and 952 screens respectively, and only in theaters. Oscar-winning
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EXCLUSIVE: Mooky Greidinger, CEO of Cineworld, the world’s second-biggest exhibition circuit and owner of Regal Cinemas, says he’s satisfied with this past weekend’s $80M domestic theatrical box office opening for Disney/Marvel’s Black Widow. But he also tells Deadline he remains “convinced” that with an exclusive theatrical window, “we could have brought in maybe $110M, maybe
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